Painting movements rejected the old historical themes for new subjects dealing with mundane events in contemporary life.
Photography satisfied middle-class cravings for instructive and entertaining pictures.
Naturalism, in essence, is simply the idea that human beings are completely included in the natural world: there’s nothing supernatural about us.
Landscape was welcomed as a logical extension of genre, adding faithful representation of topography, historical monuments, and exotic terrain.
Public appetite for scenic views had significant effect on early landscape photographs.
Setting Up The Bow-Net, 1886 Peter Henry Emerson.
Tendency of lowering of standards with the invention and marketing of new equipment and processes designed to make a photographer out of just about everyone.
Naturalism (substitute for Impressionism) protested these developments. Peter Henry Emerson held that camera images ought to reflect nature with “truth of sentiment, illusion of truth… and decoration,”.
By following his path, photographs would achieve an aesthetic status independent of and equal to graphic arts, without handwork. Role of the photographer was to be sensitive to external impressions. Emphasized importance of selection and feeling akin to 19th century aesthetic artists.
Described realism as “false to nature” because it was descriptive, while Naturalism was both “analytical and true.”
Probed beyond the surface to expose in both word and image the difficult existence of the English rural poor while also documenting their fast-disappearing customs and traditions.
Peter Henry Emerson
Gathering Water-Lilies, 1886 Peter Henry Emerson.
Documented aspects of rural life in England with the stated aim of “producing truthful pictures.” Crowned with degrees in medicine and surgery.
Embarked on a journey to document East Anglia, inhabited by poor farm laborers, fishermen, hunters, and basket-makers. Published images in book form- sequential statements rather than individual works of art.
Scientific background led him to examine human vision. Argued that a momentary glance of human vision is only sharp at the point of focus. Emerson sought to make a statement about the incivility of modern industrial life.
A Fisherman At Home, 1887 Peter Henry Emerson.
Emerson’s Naturalist concepts and techniques challenged Robinson’s Pictorialist dictates. Worked for a balance between contrivance and naturalness. Consciously selecting an expressive vantage point along with carefully controlled printing techniques.
Emerson renounced his great expectations of photography in 1890 after being convinced that photographers could not truly control the tonal quality of the print, and therefore the medium was at best a secondary art.
Naturalism refined and reinterpreted photography and provided a foundation for photographic art movements throughout Europe and US.
Professional photographers throughout Europe started in the 1850s to publish photographic prints of the masterworks of Western Art. Camera has been the most significant purveyor of visual artifacts, revolutionizing public access to the visual art heritage of the world.
Instructions for photographing works of art appeared in the 1850s to convey both form and drama. Fenton worked for the British Museum, providing them with negatives and selling prints to the public.
Large enterprises such as the Alinari brothers of Florence were organized for the publication and sale of art reproductions. Braun photographed Holbein drawings including Dead Christ. Changed from albumen to carbon printing in order to produce permanent images.
Large-scale activity increased accuracy of representation and made low cost reproduction of artworks available to individuals and art schools. Had a profound effect on the discipline of art history. Allowed for establishment of chronology and trace developments. Awakened interest in artifacts and ceremonial objects from ancient cultures and tribal societies.